The main role of a Cinematographer is to speak the script visually with the audience in mind. It’s visual storytelling at its best. From an operational side, the Cinematographer is that the one who actually gets to shoot the film, TV series, or commercial. But there’s more to that than that. They’re also at the top of the lighting and camera departments which could be a big deal. Still, that doesn’t really tell us what we’d like to grasp. The simplest cinematographers work closely with the Director to assist the director to realize their creative vision, through composition, framing, lighting, and camera movement.
Pre-Production
In the world of filmmaking, cinematographers will be described in numerous ways. If they’re instructing some other person to work the camera and more focused on the general look of the shot, they seem to be a Director of Photography (DP).
It’s here the Cinematographer must make some crucial decisions about the planning and feel of a movie: Questions like whether to shoot on digital or film (which is rare these days)? What style of camera is that the most suitable option to capture the Director’s vision?
As the Cinematographer and Director meet to answer all of those questions before shooting a bond is created. Filmmaking could be a highly collaborative business so it is vital to induce along well along with your Director and air the identical page. If things determine well, you will see the link continue which is why we commonly see identical Cinematographer/Director partnerships in movies.
Production
For each scene, the Cinematographer decides on the most effective combination of cameras, filters, and lenses, in addition to where the cameras are placed, what the lighting should be, and when the scene are shot.
Post Production
Once everything is shot, the Cinematographer’s work is essentially done. You hand all of your footage to an Editor and allow them to work their magic. With the overwhelming majority of projects captured in digital RAW formats, manipulating exposure and color is less complicated than ever before which reduces the involvement of the Cinematography in post. While Editors and Colorists are masters of their trade, it’s still a decent idea to stay around to form sure the film retains the design envisioned by you and therefore the Director.